However, after the publication was scheduled, longtime Harper's editor Carmel Snow was ousted by the magazine's publisher, the Hearst Corporation, and Hearst executives began asking for changes to the novella's tart language. The ending of the novel is kind of the same. Doc Golightly: A veterinarian from Texas, whom Holly married as a teenager. It may be that they’re caught between a rock and a hard place: too similar to the movie and they can’t live up to the light-touch charisma and now ossified iconography of Hepburn; too like the book, and they lose the expected, populist fantasy, making the show a tougher sell. Fred is a shy writer who has grown highly fond by Holly and her adventurous nature. This is then followed by three more very … These papers were written primarily by students and provide critical analysis of Breakfast at Tiffany's. In early drafts of the story Holly was named Connie Gustafson; Capote later changed her name to Holiday Golightly. His complaint? [10], According to the biographer of Joan McCracken, McCracken had a violent dressing room outburst after learning of the wartime death of her brother, while she was appearing in the Bloomer Girl (1944). Read about our approach to external linking. "[22], Truman Capote's aunt, Marie Rudisill, notes that Holly is a kindred spirit of Miss Lily Jane Bobbit, the central character of his short story "Children on Their Birthdays". 15 (3). A musical version of Breakfast at Tiffany's (also known as Holly Golightly) premiered in 1966 in Boston. She’s dressed in a black Givenchy dress and her hair resembles something of a pineapple. Playboy. Claims have been made as to the source of the character, the "real Holly Golightly", in what Capote called the "Holly Golightly Sweepstakes",[3] including socialite Gloria Vanderbilt, Oona O'Neill,[4] writer/actress Carol Grace,[5] writer Maeve Brennan,[6] writer Doris Lilly,[7] model Dorian Leigh (whom Capote dubbed "Happy Go Lucky"),[8][9] and her sister, model Suzy Parker. [16][17] An outraged Capote soon resold the work to Esquire for $3,000 ($35,400 today); by his own account, he specified that he "would not be interested if [Esquire] did not use Attie's [original series of] photographs." The novella meanwhile – despite the frothy, fizzing readability of Capote’s shimmering prose – leaves a more bitter taste, Holly scooting away in a cab never to be seen again. It’s the face that launched a thousand prints, with posters of the movie adorning vintage-loving women’s walls the world over, a symbol for a bygone era of glamour. 06/27/2014 12:06 pm ET Updated Feb 02, 2016 1961: Belgian-born actor Audrey Hepburn (1929 - 1993), as Holly Golightly, holds a cup and a paper bag while looking into one of the window displays at Tiffany's in a still from the film, 'Breakfast at Tiffany's,' directed by Blake Edwards. Holly Golightly: Well, I’ve got a wonderful idea. The story is presented as the writer's recollections approximately twelve years after the conclusion of the friendship. The film, however, makes him a heterosexual Hollywood hero, the romantic lead who eventually persuades the tearaway young girl to settle down and embrace love. This is then followed by three more very … Capote's original typed manuscript was offered for sale by a New Hampshire auction house in April 2013. Lott is making her stage debut with Breakfast at Tiffany’s, so who knows if she can act? The pearls; the oversized sunglasses and the absurdly long cigarette holder. … There are major differences between the book and the film, although the latter’s script lifts wholesale much of Holly’s bubbly chatter (Credit: Penguin Books). The ending made me cry. Breakfast at Tiffany's documents the year-long friendship of a New York writer, whose name is never mentioned, with his neighbor Holly Golightly. A $50 bill! The film is a lovely, fluffy bit of Hollywood charm, but it is most certainly not Capote’s novella. Three years after the musical adaptation, Stefanie Powers and Jack Kruschen starred in another adaptation, Holly Golightly (1969), an unsold ABC sitcom pilot. She keeps on going lightly over the world, even if the need to keep reinventing herself starts to look more like a heavy burden. We're introduced to an unnamed narrator who moves into a brownstone apartment building in the city in order pursue his career as a writer. The unnamed narrator-writer: a writer who relates his memories of Holly Golightly, the people in her life, and his relationship with her. José Ybarra-Jaegar: A Brazilian diplomat, who is the companion of Mag Wildwood and, later, of Holly. Holly likes to shock people with carefully selected tidbits from her personal life or her outspoken viewpoints on various topics. Now doesn’t that give me some rights?” In the film: no. The film’s script lifts wholesale much of her babbling chatter, where everyone’s a “darling”, and many of Capote's zinging lines: Holly describes herself “top banana in the shock department”, and wins a spat with this killer: “It should take you about four seconds to walk from here to the door. Critics aren’t invited for breakfast till the show lands in the West End, but it’ll be interesting to see if this latest Holly is simply a fashionable clothes horse, a placeholder for a romanticised view of feminine glamour, or if she’ll prove “top banana in the shock department” – and actually find the grit at the heart of this pearl. Rusty Trawler: A presumably wealthy man, thrice divorced, well known in society circles. But if that sounds like a copper-bottomed sell – well, don’t bet on it. Kruschen's role was based on Joe Bell, a major character in Capote's novella who was omitted from the film version. In the movie, Holly finds Cat on the street and takes him home. Plus, Capote does something pretty cool by creating a circular structure with the ending that links back to the beginning of the novel. Breakfast at Tiffany's is a novella that takes place during the World War II Era. O. J. Berman: A Hollywood agent, who has discovered Holly and groomed her to become a professional actress. But why should stage versions of the book struggle when the movie has become such an enduring hit, and a pop culture touchstone that goes way beyond the book’s initial reach? Capote also demonstrates superb use of symbolism throughout his book. [27][28] The second version was written by Richard Greenberg for a 2013 Broadway production at the Cort Theatre, starring Emilia Clarke as Holly Golightly, Cory Michael Smith as Fred, and George Wendt as Joe Bell. See Amazon and Barnes & Noble for helpful customer reviews.) Breakfast At Tiffanys Script “Breakfast at Tiffany’s” Film 280 Hanna K Assignment #1 The movie begins appropriately with the lead Holly Goligthly having breakfast outside of Tiffany’s in New York and already that sets the tone of the whole movie. Holly’s cat, who is a loner like her and who she calls ‘a poor slob without a name’, has a good ending in both the book and the movie. The collection has been reprinted several times with the other short stories, "House of Flowers", "A Diamond Guitar" and "A Christmas Memory". Is Breakfast at Tiffany’s an example of Capote’s ideal? According to Capote, Golightly is not a prostitute but an "American geisha".[2]. Holly (age 18–19) is a country girl turned New York café society girl. It is written by Truman Capote. Holly Golightly is a flighty Manhattan party girl, who expects \"money for the powder room as well as for cab fare\" for her companionship. Breakfast At Tiffany's, a book by Truman Capote, is a short novel that is very well-written. I'd never seen the movie and I've never read the book, but the characters and story felt very familiar. It is about a woman named Holly Golightly and a man she refers to as Fred living life in New York and looking for love. The movie was transposed to 1960 rather than the 1940s, the period of the novella. The novella itself has been included in other Capote collections. [21], In "Breakfast at Sally Bowles'", Ingrid Norton of Open Letters Monthly pointed out Capote's debt to Christopher Isherwood, one of his mentors, in creating the character of Holly Golightly: "Breakfast at Tiffany's is in many ways Capote's personal crystallization of Isherwood's Sally Bowles. "[23], Capote himself acknowledged that Golightly was the favorite of his characters. Lacking none of the glamour, Capote weaves the painful lightness of Holly Golightly’s life in Manhattan with far darker and more interesting themes in his slim novella and disposes of the happy ending that a big screen picture demands. But the show closed quickly, after lukewarm reviews, with complaints it was too downbeat and Clarke lacking the enigmatic insouciance of this most charming creation. A young New York socialite becomes interested in a young man who has moved into her apartment building, but her past threatens to get in the way. Norden, Eric (March 1968). The book consists of four short stories, and although the plot of the four stories have nothing in common with one another, they are tied together by a central theme. Mag Wildwood: Holly's friend and sometime roommate, a fellow socialite and model. He used real life characters possessing different names. 51–53, 56, 58–62, 160–162, 164–170. The iconography of … Breakfast at Tiffany's is a 1961 American romantic comedy-drama movie based on Truman Capote's novella (short book), and starring Audrey Hepburn and George Peppard.The movie won two Academy Awards.It was nominated for a total of five awards. She observes that both characters are "unattached, unconventional wanderers, dreamers in pursuit of some ideal of happiness. Breakfast at Tiffany's is a novella by American author Truman Capote, first published in Esquire magazine in 1958. “It made we want to throw up.” Capote wanted Marilyn Monroe for the part. pp. “It was the most miscast film I’ve ever seen”, he told a journalist years later. Holly is the proto It Girl: a not-quite-actress who achieves notoriety by going out and about rather than really doing anything; Lott is a fading pop star turned reality TV contestant turned actress, a tabloid staple and general face-about-town. [18] The novella appeared in the November, 1958 issue. Shortly afterward, a collection of the novella and three short stories by Capote was published by Random House — and the glowing reviews caused sales of the Esquire issue to skyrocket. The book was published in multiple languages including English, consists of 142 pages and is available in Paperback format. Breakfast at Tiffany's Truman Capote, 1958 I am always drawn back to places where I have lived, the houses and their neighborhoods. The first edition of the novel was published in 1958, and was written by Truman Capote. In addition, there are many other changes, including major omissions, to the plot and main character in the film from the novella. It’s a grimier, grittier story, where she isn’t just an airy young tease, but actually makes her money in the oldest way known to man. Ordinarily, you’d worry for a young star stepping straight into a much-beloved, genuinely iconic role – but somehow, with Holly Golightly, it’s considered just fine. Holly still shuts the door on the unpleasant chap – but then opens it a crack to tell him where he went wrong: “The next time a girl wants a little powder-room change… take my advice, darling: don’t give her twenty cents!” The implication being, of course, that had he stumped up $50, the door to her bedroom would have been invitingly ajar. [29] The Greenberg play was produced in the UK in 2016, called "a play with music". It’s almost ironic that the film is now used to sell a kind of capitalist elegance, an aspirational vision of a certain label look, of shopping at Tiffany’s and Givenchy (Hepburn was the designer's long-term muse). Capote: Holly Golightly was not precisely a call girl. As a new production of Breakfast at Tiffany’s comes to the London stage, Holly Williams looks at how the iconic book and film have been reinvented. Everybody has heard about Breakfast at Tiffany’s. But to his disappointment, Esquire ran just one full-page image of Attie's (another was later used as the cover of at least one paperback edition of the novella). But Truman Capote’s novella is some way removed from the sweet romance of the 1961 film adaptation of Breakfast at Tiffany’s. She sparkles, not her outfits: “there was a consequential good taste in the plainness of her clothes, the blues and greys and lack of lustre that made her, herself, shine so.” That iconic LBD? As a new production of Breakfast at Tiffany’s comes to the London stage, Holly Williams looks at how the iconic book and film have been reinvented. We think we know Holly Golightly – but really, we know Audrey Hepburn, tripping elegantly through the streets of the city in her LBD or Burberry mac, two items that are near-clichés, so often are they trotted out as timeless fashion classics. A handpicked selection of stories from BBC Future, Earth, Culture, Capital, Travel and Autos, delivered to your inbox every Friday. Breakfast at Tiffany's: A Window Into the 1950's; Truman Capote: A Child's True Nature in "Miriam" Breakfast at Tiffany’s: A Revolutionary Romantic Comedy But in Capote’s story… she very much is. As such, she has no job and lives by socializing with wealthy men, who take her to clubs and restaurants, and give her money and expensive presents; she hopes to marry one of them. So maybe it’s apt that this character keeps on being reinvented – and offering young actresses their own chance to reinvent themselves. According to the book Cat Lover’s Daily Companion, Orangey was one of Hollywood’s most widely demanded feline actors back in the day. On the surface, “Breakfast at Tiffany’s” is a simple and straightforward story. Capote was able to avoid clichés and insert more questionable themes into the novella; however, Edwards was not able to integrate these into the film because of the nature of film audiences. For there are major differences between the two – and it’s the film that has the most fans, that will bring gangs of girls to the stalls. Playboy: Would you elaborate on your comment that Holly was the prototype of today's liberated female and representative of a "whole breed of girls who live off men but are not prostitutes. She’ll take the rat’s money, but she won’t give them her body; she ain’t that kind of gal. [24], The novella's prose style prompted Norman Mailer to call Capote "the most perfect writer of my generation," adding that he "would not have changed two words in Breakfast at Tiffany's".[25]. For instance, there is a brownstone in the East Seventies where, during the early years of the war, I had my first New York apartment. In it, a contemporary writer recalls his early days in New York City, when he makes the acquaintance of his remarkable neighbor, Holly Golightly, who is one of Capote's best-known creations. The movie was transposed to 1960 rather than the 1940s, the period of the novella. They're our version of the geisha girl..."? That’s surely why this tour, despite actually featuring three actresses playing the character – the others being the lesser-known Emily Atack and Georgia May Foote – is very much publicised as ‘Pixie Lott in Breakfast at Tiffany’s’, a double till-ringer of classic movie and contemporary celebrity. Set in the early 1940s, the unnamed narrator tells the story of his friendship with one of his neighbours in an NYC Upper East Side brownstone apartment building. “When you asked for a little change for the powder-room, what did I give you? "[15] Yet Hearst ordered Harper's not to run the novella anyway. Breakfast at Tiffany’s **** Firstly, this is a surprisingly short book. I just want to say that this is one of the best books ever. The main characters of this classics, fiction story are Holly Golightly, Doc Golightly. ‘Breakfast at Tiffney’s’ is a novella of only 90 pages – which was quite a surprise to me as they have made a film, musicals and plays from this book’s storyline. Still, those were glittering successes compared to the ill-fated 1966 musical version – a famous flop, which producer David Merrick shut after a mere four nights, describing it as an “excruciating bore”. Gay Pride Book: Truman Capote's Breakfast at Tiffany's - the Novel That Saved My Life . It was directed by Blake Edwards, who also directed seven Pink Panther movies. For balance, Paul is also a kept man – his interior decorator (an older woman) leaves him cash after their romantic trysts, ostensibly supporting his writing career – making him and Holly an equivalent pair of misfits, who need to shun their foolish youthful ways. Over the course of a year, she slowly reveals herself to the narrator, who finds himself quite fascinated by her curious lifestyle. The director, Sean Mathias, had also had a crack at another, different stage version in the West End in 2009, with Anna Friel, who reportedly made a more winning Golightly, but still couldn’t quite make the show work. ‘But how do they live up to Audrey Hepburn?’ is the question asked in hushed tones, not whether they suit the character. In both, Holly lets him go, then regrets it. Critics were divided, and Breakfast at Tiffany’s failed to become a classic in a third medium. She is a beguiling character: a seductive but kooky society girl, maddeningly flitting and flirtatious. The book is narrated by an unnamed – probably gay – writer, and forms a melancholic look back at a captivating girl he once knew, who fled New York after being implicated in a drugs bust. With breakfast on several occasions, but never before before. The novella was loosely adapted into the 1961 movie Breakfast at Tiffany's starring Audrey Hepburn and directed by Blake Edwards. They’re just perfect for each other, if only she’d realise it…, Paul (George Peppard) is also a kept man – his interior decorator (an older woman) leaves him cash after their romantic trysts (Credit: Alamy). Reprinted in: "Was Holly Golightly Really a Prostitute? ‘Breakfast at Tiffney’s’ is a novella of only 90 pages – which was quite a surprise to me as they have made a film, musicals and plays from this book’s storyline. When a girl is best known for how she looks in a little black number and chignon, any attractive young star can play her, right? We see Holly oh-so-charmingly closing her door on an exasperated would-be suitor. However, the main inspiration for Holly was revealed to be socialite Marguerite Littman. Ms Golightly of the book and Ms Golightly of the film are in fact rather different, but both sparkle like a Tiffany diamond. The novella was loosely adapted into the 1961 movie Breakfast at Tiffany's starring Audrey Hepburn and directed by Blake Edwards. In addition to this, at the end of the film the protagonist and Holly fall in love and stay together, whereas in the novella there is no love affair whatsoever – Holly just leaves the United States and the narrator has no idea what happened to her since then, except for a photograph of a wood carving found years later in Africa which bears a striking resemblance to Holly. ", "Carol Matthau, a Frank and Tart Memoirist, Dies at 78", "Dorian Leigh: 'Supermodel' of the 1940s", "Marguerite Littman, the Inspiration for Holly Golightly, Dies at 90", "Breakfast at Tiffany's: When Audrey Hepburn won Marilyn Monroe's role", "Manuscript of "Breakfast at Tiffany's" up for auction", "Capote's Breakfast at Tiffany's manuscript sells for $306K at auction to Russian billionaire", "Review of Sally Bowles and Breakfest at Tiffany's – Open Letters Monthly – an Arts and Literature Review", "Dreyfus to join cast of Breakfast at Tiffany's", "Pixie Lott ticks all the boxes in 'Breakfast at Tiffany's' – review", Breakfast at Tiffany's: Music from the Motion Picture, https://en.wikipedia.org/w/index.php?title=Breakfast_at_Tiffany%27s_(novella)&oldid=996377369, Works originally published in Esquire (magazine), Articles with unsourced statements from June 2011, Creative Commons Attribution-ShareAlike License. [4][13] Capote was also unsuccessfully sued for libel and invasion of privacy by a Manhattan resident named Bonnie Golightly who claimed that he had based Holly on her. This is probably because the dance between the naive adoring narrator and the elusive Holly Golightly has become somewhat iconic. By this time, Attie's montages had been completed, and Alice Morris, the fiction editor of Harper's, recounted that while Capote initially refused to make any changes, he relented "partly because I showed him the layouts ... six pages with beautiful, atmospheric photographs. If you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter. In the novella, Holly Golightly is also depicted singing songs from Oklahoma! In autumn 1943, the unnamed narrator befriends Holly Golightly. McCracken and her husband Jack Dunphy were close friends of Capote, and Dunphy became Capote's life companion after his 1948 divorce from McCracken. So we’re suddenly in a classic rom-com situation, and their final-scene kisses in the pouring rain becoming the blueprint for the genre, from Four Weddings and a Funeral to The Notebook. In the book, she can’t find him and has to abandon the search and go off to Brazil. The two are tenants in a brownstone apartment in Manhattan's Upper East Side. A marmalade tabby trained by famous animal wrangler Frank Inn, Orangey already had a decade of acting experience before he became Audrey Hepburn’s onscreen companion. "[4] Clarke also wrote of the similarities between the author himself and the character. Breakfast at Tiffany's Summary. He apparently based the character of Holly on several different women, all friends or close acquaintances of his. The latest production to have a crack at staging this mercurial creature is currently touring the UK; written by Tony-winning American playwright Richard Greenberg. You could say there are parallels. [12] There are also similarities between the lives of Holly and Capote's mother, Nina Capote; among other shared attributes both women were born in the rural south with similar "hick" birth names that they changed (Holly Golightly was born Lulamae Barnes in Texas, Nina Capote was born Lillie Mae Faulk in Alabama), both left the husbands they married as teenagers and abandoned relatives they loved and were responsible for, instead going to New York, and both achieved "café society" status through relationships with wealthier men, though Capote's mother was born two decades earlier than the fictional Holly Golightly. It’s the face that launched a thousand prints, with posters of the movie adorning vintage-loving women’s walls the world over (Credit: Alamy). In the novella, not only is Holly pretty broke (she can’t afford Tiffany diamonds), but the clothes she wears are quite deliberately plain. For all the cocktail-drinking and party-giving, Holly is prone to suffering bouts of crippling fear (Credit: Alamy). Delightful, charming with a sad undertone. Sosin said he planned to display it publicly in Moscow and Monte Carlo. Holly is young and adventurous and constantly seeks fun and excitement. She had no job, but accompanied expense-account men to the best restaurants and night clubs, with the understanding that her escort was obligated to give her some sort of gift, perhaps jewelry or a check ... if she felt like it, she might take her escort home for the night. Do you find the story’s structure, with its interlocking beginning and ending, satisfying? Breakfast at Tiffany's literature essays are academic essays for citation. It’s an all time classic. So these girls are the authentic American geishas, and they're much more prevalent now than in 1943 or 1944, which was Holly's era. In addition to this, at the end of the film the protagonist and Holly fall in love and stay together, whereas in the novella there is no love affair whatsoever – Holly just leaves the United States and the … Pixie Lott plays Holly Golightly – not a terrible bit of casting. Breakfast at Tiffany’s **** Firstly, this is a surprisingly short book. Capote originally envisioned Marilyn Monroe as Holly, and lobbied the studio for her, but the film was done at Paramount, and though Monroe did independent films, including for her own production company, she was still under contract with Twentieth Century Fox, and had just completed Let's Make Love with Yves Montand. To admit that Breakfast at Tiffany's is one of your favourite films, these days, is to out yourself as the emotional and intellectual equivalent of a cupcake. The narrator, a writer, is recalling the apartment he lived in during the early years of World War II, located in Manhattan’s East Seventies. According to Sammy Wasson, author of Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast at Tiffany’s, and the Dawn of the Modern Woman: "In the other ending, Holly and … Arguably, she would have inhabited this “real phony”, mistress of reinvention and seller of dreams, more authentically than Hepburn, the aristocratic ingénue. (in which McCracken appeared) accompanying herself on a guitar, and owning The Baseball Guide, which was edited by McCracken's uncle.[14]. Pixie Lott – in a not-terrible bit of casting – plays Holly Golightly in a new production arriving in the West End in June (Credit: Uli Weber). Both Attie and Brodovitch went on to work with Capote on other projects – Attie on Brooklyn Heights: A Personal Memoir,[19] and Brodovitch on Observations, both published in 1959. Following more closely the plot of the book than the film, the play arrives in London’s West End in June. Its language and subject matter were still deemed "not suitable", and there was concern that Tiffany's, a major advertiser, would react negatively. Golightly is a wild thing; there’s no containing her, no making her stay. Holiday (Holly) Golightly: downstairs neighbor and center of attention of the writer's memoirs. Breakfast at Tiffany’s begins in New York City in the late 1950s. Not that kind of girl? Breakfast at Tiffany’s: How Hollywood retold a gritty story. Truman Capote wrote the novel Breakfast at Tiffany's without a rhyme or a reason. The novel opens in New York during World War II. The first production was written by Samuel Adamson and was presented in 2009 at the Theatre Royal Haymarket in London, starring Anna Friel as Holly Golightly and Joseph Cross as William 'Fred' Parsons. Madame Sapphia Spanella: Another tenant in the brownstone. When the play opened on Broadway in 2013, it starred Emilia Clarke, another stage debut for an actress keen to reshape her reputation, synonymous as she is with the icy-blonde Daenerys in Game of Thrones. She’s an unknowable, untameable ‘wild thing’, who fled to New York from a troubled hillbilly upbringing in Texas in order to reinvent herself. Still, for all the cocktail-drinking and party-giving, she’s prone to suffering bouts of crippling fear – her famous “mean reds” – and can only afford her seemingly-glamorous life by surrounding herself with “rats”, no-good men whose powder-room tips she enthusiastically pockets. The door is shut. Two and a half times. It was to be illustrated with a big series of photo montages by David Attie, who had been hired for the job by Harper's art director Alexey Brodovitch. Breakfast at Tiffany's was originally sold to Harper's Bazaar for $2,000 and intended for publication in its July 1958 issue. Breakfast at Tiffany's is a novella by Truman Capote published in 1958. She has even gotten a lucrative once weekly job to visit notorious convict Sally Tomato in Sing Sing, she needing to report back to Sally's lawyer the weath… It is stated that the narrator just might have been Truman himself during his early years in New York. She’s described as a phony – but a “real phony”, because she really believes her own fairy-story gloss on life. But the most famous changes the film makes are, surprise surprise, to the ending. We can spend the whole day doing things we’ve never done before. 16. Breakfast at Tiffany's has 3 reviews and 1 ratings. Free download or read online Breakfast at Tiffanys pdf (ePUB) book. "Playboy Interview: Truman Capote". The film has a happily-ever-after ending because that is what film audiences prefer, while the novel does not have to posses this ending because of the freedom of literature. Capote ends the novel with Holly more or less … He wrote to Esquire fiction editor Rust Hills, "I'm very happy that you are using [Attie's] pictures, as I think they are excellent." Holly, it turns out, is a tougher part than she seems, despite how easy Hepburn made it look. Ariana Grandes' Song, 7 rings, of the album, Seven Rings, published 18 January 2019, This page was last edited on 26 December 2020, at 05:45. Holly is all over the place and is hard to read and difficult to understand, but something in the narrator and in readers wants to keep trying. I'll give you two.” But there’s one line in particular that gets changed at the top of the film – and with it, alters the entire tenor of the story. [20] It was sold to Igor Sosin, a Russian billionaire entrepreneur, for US$306,000 (equivalent to US$336,000 in 2019). I listened to Breakfast at Tiffany's as an audio, which is a perfect way to absorb this one. McCracken's biographer suggests that Capote was inspired by this event as a model for a scene in which Holly reacts to her brother's death overseas. There have been two adaptations of the novella into stage plays, both directed by Sean Mathias. Breakfast at Tiffany’s – the 1961 film based on Truman Capote’s 1958 novella – has become more famous for its visual shorthands, its signifiers of New York chic and fashionable femininity, than its actual story or characters. [10], Capote's biographer Gerald Clarke wrote "half the women he knew ... claimed to be the model for his wacky heroine. It’s worth noting that the casting of Hepburn, which now seems immutable, was considered by Capote himself to be a terrible choice. 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