A vision statement provides the direction and describes what the founder wants the organization to achieve in the future; it’s more about the “what” of a business. Twenty-six years after a prison visit changed her life, the educator, author, and Radcliffe practitioner-in-residence hopes to build transformative justice into a nationwide movement. Information is accurate as of April 17, 2019. “Vision & Justice” is a two-day creative convening (April 25–26, 2019) that will consider the role of the arts in understanding the nexus of art, race, and justice. At a seminal conference, black creative intellectuals explore white supremacy, the arts, and justice. Free admission Social media has changed how we ingest images. But we weren’t the only ones watching and listening. Over the course of the semester, we will consider visual representation as a form of “civic evidence,” “civic critique,” and “civic engagement” in American history. “Gordon Parks: Selections from the Dean Collection” opens at the Hutchins Center’s Ethelbert Cooper Gallery of African & African American Art in tandem with the convening. James Phillips . Study 40 Vision and Justice flashcards from kathryn m. on StudyBlue. In 2001, Janet Connors’ son, Joel James Turner, was stabbed to death in his Dorchester apartment. "Vision and Justice" is a two-day creative convening (April 25–26, 2019) that will consider the role of the arts in understanding the nexus of art, race, and justice, … The Department of Global Health and Social Medicine (GHSM) has grown rapidly in the past few decades, usually in response to unmet needs in American medical education and to changing research paradigms. The rights of citizenship are many, but central to them all is the right, even the responsibility, to engage and participate in collective society—to be recognized as a member of the body politic. “Vision & Justice” is a two-day creative convening (April 25–26, 2019) that will consider the role of the arts in understanding the nexus of art, race, and justice. Gordon Parks Foundation Essay Prize Presentations: Remarks about the Parks Foundation: Peter Kunhardt Jr. Alexandra Bell, Jelani Cobb, Nicole Fleetwood, and Makeda Best, Khalil Gibran Muhammad tribute to Jamel Shabazz Leigh Raiford tribute to Dawoud Bey, Carrie Mae Weems, David Adjaye, and Sarah Lewis, Performance: Carrie Mae Weems, Grace Notes: Reflections for NowCommissioned to commemorate the Emanuel 9, Concluding Remarks: Dean Lawrence D. Bobo, 9:00 – Welcome Remarks: Provost Alan M. Garber, Performance: Musical Opening by Wynton Marsalis, Cultural Citizenship Wynton Marsalis, Diane Paulus, and President Emerita Drew Gilpin Faust, Race, Culture, and Civic SpaceIntroduction: Dean Mohsen MostafaviDavid Adjaye, Theaster Gates, and Sarah Lewis, 11:00 – Teju Cole tribute to LaToya Ruby Frazier, Race, Justice, and the EnvironmentFocus: Discovering the Flint crisis LaToya Ruby Frazier videoChelsea Clinton and Dr. Mona Hanna-Attisha, Race, Childhood, and Inequality in the Political RealmIntroduction: Dean Claudine Gay Robin Bernstein and Naomi Wadler, 2:00 – Hank Willis Thomas interviewed by Cheryl Finley, Turnaround Arts [White House Program]Kimberly Drew, Damian Woetzel, and Melody Barnes, 3:30 – Race, Technology and Algorithmic Bias, Joy Buolamwini, Latanya Sweeney, and Darren Walker, Mass Incarceration and Visual NarrativesIntroduction: Tommie Shelby Bryan Stevenson, Elizabeth Hinton, and Danielle Allen, 6:00 – Public Reception in the Ethelbert Cooper Gallery of African and African American Art, Hutchins Center, “Gordon Parks: Selections from the Dean Collection”. Advertisement. The event will be streamed live and recorded for later posting online as part of the Radcliffe Institute’s commitment to bringing its programming to audiences around the world. Photo: Richard Avedon. This course will also include guest lectures from artists and architects. Image by Melissa Blackall and courtesy the Cooper Gallery. Radcliffe Professor Khalil Gibran Muhammad traces the sugar industry as part of the 1619 Project, a major initiative from the New York Times observing the 400th anniversary of the beginning of American slavery. Hundreds gathered at Harvard to hear from prominent artists, scholars, and activists from across the nation about the intersection of art, race, and justice. The event culminates on Thursday with the conferral of the inaugural Gordon Parks Foundation Essay Prize and a keynote by the social justice activist Bryan Stevenson on Friday evening. This event took place from April 25, 2019 through April 26, 2019. The sessions will focus on a wide variety of related topics, from “Race, Justice, and the Environment” to “Cultural Narratives and Media.” The program incorporates a range of dynamic speakers and events, including a performance by Carrie Mae Weems; a conversation about Central Park Five, the forthcoming miniseries by Ava DuVernay and Bradford Young, with Henry Louis Gates Jr.; and a performance by Wynton Marsalis. The Harvard Gazette spoke with Professor Sarah Lewis, whose course “Vision & Justice: The Art of Citizenship” is the creative inspiration behind the “Vision & Justice” convening. Gelatin Silver Print, 30 x 40" Courtesy of the Gordon Parks Foundation. “WHAT HAS MORALITY WON US?” This provocative question, posed by Bryan Stevenson, a lawyer, activist, and professor at New York University School of Law, lingered in the room on the second day of the “Vision and Justice” conference at Harvard’s Radcliffe Institute for Advanced Study. Harvard Presents Vision & Justice: A Creative Convening on Art, Race, and Justice Taking its inspiration from Frederick Douglass on the transformative power of pictures to create a new vision for the nation, this convening will focus on the historic roots and contemporary realities of visual literacy for race and justice in American civic life. Photo by Evgenia Eliseeva. The Radcliffe Institute's “Vision & Justice” convening focused on race and visibility. The distribution of rights is central to justice. The pandemics of police brutality and COVID-19 demonstrate that the fight for justice is multigenerational and multifaceted. Both a new exhibition by the Dean Collection and Professor Sarah Lewis's "Vision & Justice" convening at Harvard embody a future Gordon Parks imagined decades ago. It is different from a mission statement, which describes the purpose of an organization and more about the “how” of a business. Henry Louis Gates Jr., Alphonse Fletcher Jr. University Professor and director of the Hutchins Center for African & African American Research, Harvard University, Lori Gross, associate provost for arts and culture, Harvard University, Evelyn Brooks Higginbotham, Victor S. Thomas Professor of History and of African and African American Studies, Harvard University, Elizabeth Hinton, John L. Loeb Associate Professor of the Social Sciences in the Department History and the Department of African and African American Studies, Harvard University, Robin Kelsey, dean of arts and humanities in the Faculty of Arts and Sciences and Shirley Carter Burden Professor of Photography, Harvard University, Carrie Lambert-Beatty, professor of visual and environmental studies and of history of art and architecture in the Faculty of Arts and Sciences and director of graduate studies in film and visual studies in the Graduate School of Arts and Sciences, Harvard University, Sarah Lewis, assistant professor of history of art and architecture and African and African-American studies, Harvard University, Yukio Lippit, professor of history of art and architecture, director of undergraduate studies in the Department of History of Art and Architecture, and Harvard College Professor, Harvard Faculty of Arts and Sciences, Jennifer L. Roberts, Johnson-Kulukundis Family Faculty Director of the Arts at the Radcliffe Institute and Elizabeth Cary Agassiz Professor of the Humanities in the Faculty of Arts and Sciences, Harvard University, Tommie Shelby, Caldwell Titcomb Professor of African and African American Studies and of Philosophy, Harvard Faculty of Arts and Sciences, Damian Woetzel, president, the Juilliard School. Maurice Berger, consulting curator of the exhibition, will be available in the gallery for one-on-one "talk backs" with guests. Contemporary sculptor, printer, and visual artist Willie Cole’s haunting works blend the familiar with the unexpected. The Vision & Justice program, which will take place on April 25–26, features luminaries in the fields of music, photography, film, and social justice while emphasizing short, stimulating … Vision. How have images played a role in shaping how we envision the borders between the U.S. and other nations? emphasizes Radcliffe’s role as a place for members of the Harvard community to convene and collaborate with one another. In this long-understudied speech, Douglass described a vision of race, citizenship, and image making that he stated might take a century or more to be understood. A course taught by Assistant Professor Sarah Lewis was the inspiration for "Vision & Justice," which will bring together experts, artists, and scholars from Harvard and beyond to “consider the role of the arts in understanding the nexus of art, race, and justice.” Stephanie Mitchell/Harvard … Racially motivated injustices, protests, collective grief and glory now play out in photos and videos with a speed unimaginable even a few decades ago, allowing—and compelling—us to call upon skills of visual literacy to remain engaged global citizens every day. Background art source: Alfred Stieglitz Collection, 1949, Courtesy of Peabody Museum, Harvard University, Ava DuVernay talks with Henry Louis Gates Jr. at the "Vision and Justice" symposium at Harvard. Naomi Wadler, Yara S. Shahidi '22, and Professor Robin Bernstein discuss the experiences of black children in the U.S. during a panel titled "Race, Childhood, and Inequality in the Political Realm" at a "Vision and Justice" event Friday. This volume is published to coincide with Vision & Justice: A Convening, April 25 and 26, 2019, conceived by Sarah Lewis and generously hosted by the Radcliffe Institute for Advanced Study at Harvard University, with generous support from the Ford Foundation, How have narratives created by culture—the arts, performances, and images—both limited and liberated our definition of national belonging in this digital age? If you were to take a photo of you… Khalil Gibran Muhammad. Raphael G. Warnock, senior pastor of the Ebenezer Baptist Church in Atlanta, presented a lecture on mass incarceration in Harvard's Memorial Church. the work of the Vision & Justice Project to reach beyond the classroom into civic life. M.B. “American citizenship has long been a project of vision and justice,” Sarah Lewis, an assistant professor at Harvard whose research and teaching inspired the event, said in a statement. Harvard Presents Vision & Justice: A Creative Convening on Art, Race, and Justice Taking its inspiration from Frederick Douglass on the transformative power of pictures to create a new vision for the nation, this convening will focus on the historic roots and contemporary realities of visual literacy for race and justice in American civic life. How has visual representation—from videos and photographs to sculptures and memorials—both limited and liberated our definition of American citizenship and belonging? Paul Professor of Constitutional Law at Harvard Law School, and professor of history in the Faculty of Arts and Sciences, Harvard University, Joy Buolamwini, founder, Algorithmic Justice League, Chelsea Clinton, vice chair, Clinton Foundation, Jelani Cobb, Ira A. Lipman Professor of Journalism, Columbia University; staff writer, New Yorker, Teju Cole, photography critic, New York Times Magazine; Gore Vidal Professor of the Practice of Creative Writing, Harvard University, Kasseem Dean (Swizz Beatz), record producer, rapper, and DJ, Kimberly Drew, writer, curator, and activist, Ava DuVernay, writer, director, producer, and film distributor, Michael Famighetti, editor, Aperture magazine, Drew Gilpin Faust, president emeritus, Harvard University, Cheryl Finley, associate professor of art history, Cornell University, Nicole R. Fleetwood, associate professor of American studies and graduate faculty in the Department of Women’s and Gender Studies, Rutgers, the State University of New Jersey, LaToya Ruby Frazier, photographer; video artist; and associate professor of photography, School of the Art Institute of Chicago, Alan M. Garber, provost, Harvard University; Mallinckrodt Professor of Health Care Policy at Harvard Medical School; professor of economics, Harvard Faculty of Arts and Sciences; professor of public policy, Harvard Kennedy School of Government; and professor in the Department of Health Policy and Management, Harvard T.H. HARVARD COLLEGEProgram in General Education, Richard A. and Susan F. Smith Campus Center1350 Massachusetts Avenue, 4th FloorCambridge, MA 02138, Phone: 617-495-2563Fax: 617-496-4448Email: gened@fas.harvard.edu, Apply Science & Technology in Society filter, Apply Histories, Societies, Individuals filter, Copyright © 2020 The President and Fellows of Harvard College, Explore TF/TA Opportunities - UPDATED FOR SPRING 2021. The lecture will be given by Sarah Lewis, assistant professor in the Departments of History of Art & Architecture and African and African American Studies at Harvard University, in conjunction with the installation Vision and Justice: The Art of Citizenship, on view in the University Teaching Gallery until January 8, 2017. This public event, conceived by Sarah Lewis, an assistant professor of history of art and architecture and of African and African American studies at The New York Times republishes Sarah Lewis's essay on photography and racial bias, "Vision & Justice: A Civic Curriculum,” ahead of our two-day conference on the role of the arts in relation to citizenship, race, and justice. Angela Davis, the activist, philosopher, and academic, reminds us that, “sometimes we have to do the work even though we don't yet see a glimmer on the horizon that it's actually going to be possible”. Others; $15 Adults; $10 Non-Harvard Students (18+); Seniors; $13. Study 40 Vision and Justice flashcards from kathryn m. on StudyBlue. By the end of the course you should be able to argue how images have persuasive efficacy in the context of citizenship, critique the comments posted under images online, and problematize the foundational right of representation in a democracy like the United States. A vision statement is like a photograph of your future business, which gives your business shape and direction. Photo by Stephanie Mitchell/Harvard Staff Photographer. “Vision & Justice: A Creative Convening on Arts, Race, and Justice,” hosted by the Radcliffe Institute for Advanced Study at Harvard takes place Thursday and Friday, April 25 and 26. Photo by Melissa Blackall/Radcliffe Institute, Panelists Carrie Mae Weems (from left), Sarah Lewis, and David Adjaye share a laugh onstage at the "Vision & Justice" conference. The course will wrestle with the question of how the foundational right of representation in a democracy, the right to be recognized justly, is indelibly tied to the work of visual representation in the public realm. In a discussion at Harvard’s Memorial Church, Atlanta preacher Raphael G. Warnock called mass incarceration “a scandal on the soul of America” and challenged his listeners to “imagine a different future.”. "The Work of Culture Alters Our Perceptions", Harvard Presents Vision & Justice: A Creative Convening on Art, Race, and Justice, A New Retrospective Honoring the Vision and Legacy of Gordon Parks, This is Sarah Lewis. Photo by Tony Rinaldo, The jazz great Wynton Marsalis electrified Sanders Theatre. Harvard Presents Vision & Justice: A Creative Convening on Art, Race, and Justice Taking its inspiration from Frederick Douglass on the transformative power of pictures to create a new vision for the nation, this convening will focus on the historic roots and contemporary realities of visual literacy for race and justice in American civic life. The following are videos from 2019 Vision & Justice Convening at Harvard University . CAMBRIDGE, MA—Harvard University’s Radcliffe Institute for Advanced Study will host Vision & Justice, a landmark two-day creative convening that will explore the role of the arts in constructions of citizenship, race, and justice. This public-facing event will convene a large group of prominent activists, academics, artists, and public servants. The event is hosted by the Radcliffe Institute for Advanced Study, with additional major funding from the Ford Foundation, and is cosponsored by the Hutchins Center for African & African American Research, the Harvard Art Museums, and the American Repertory Theater. We are fortunate to have invaluable holdings at the Harvard Art Museums and at the Peabody Museum and via Cooper Gallery exhibitions that vividly showcase this contested relationship between art, justice, race, and culture in American life. But we weren’t the only ones watching and listening. THURSDAY, APRIL 25 At “Vision & Justice: A Convening,” participants considered the role of the arts in understanding the nexus of art, race, and justice. Taking its inspiration from Frederick Douglass on the transformative power of pictures to create a new vision for the nation, this convening will focus on the historic roots and contemporary realities of visual literacy for race and justice in American civic life. took on the archive, gentrification, the prison-industrial complex, police states, Flint, racialized AI disparity, and the necessitities of black art and cultural production. Chan School of Public Health, Theaster Gates, founder and executive director, Rebuild Foundation; inaugural distinguished artist in residence and director of artist initiatives, Lunder Institute for American Art; professor, Department of Visual Arts, the University of Chicago, Claudine Gay, Edgerley Family Dean of the Faculty of Arts and Sciences and Wilbur A. Cowett Professor of Government and of African and African American Studies, Harvard University, Amanda Gorman, National Youth Poet Laureate, Agnes Gund, philanthropist and art collector; founder, Art for Justice Fund; president emerita, Museum of Modern Art, Catherine Gund, producer, director, writer, and activist; founder and director, Aubin Pictures, Mona Hanna-Attisha, assistant professor of pediatrics and human development and founder and director of the Michigan State University–Hurley Children's Hospital Pediatric Public Health Initiative, Michigan State University, Sadie Rain Hope-Gund, photographer and writer, Vijay Iyer, composer and pianist; Franklin D. and Florence Rosenblatt Professor of the Arts in the Department of Music and Department of African and African American Studies, Harvard University, Peter W. Kunhardt Jr., executive director, The Gordon Parks Foundation, Franklin Leonard, film executive; founder, the Black List, Wynton Marsalis, musician, composer, and bandleader; managing and artistic director, Jazz at Lincoln Center, Mohsen Mostafavi, dean of the Harvard Graduate School of Design and Alexander and Victoria Wiley Professor of Design, Harvard University, Khalil Gibran Muhammad, Suzanne Young Murray Professor at the Radcliffe Institute for Advanced Study and professor of history, race, and public policy at Harvard Kennedy School, Harvard University, Diane Paulus, Terrie and Bradley Bloom Artistic Director of the American Repertory Theater and professor of the practice of theatre in the Department of English, Harvard University, Leigh Raiford, associate professor and H. Michael and Jeanne Williams Chair of African American Studies, University of California, Berkeley, Bryan Stevenson, founder and executive director, Equal Justice Initiative; professor of clinical law, New York University, Latanya Sweeney, professor of government and technology in residence, Department of Government, Harvard University, Martha Tedeschi, Elizabeth and John Moors Cabot Director, Harvard Art Museums, Darren Walker, president, Ford Foundation, Deborah Willis, university professor and chair of the Department of Photography and Imaging at the Tisch School of the Arts and director of the Institute of African American Affairs, New York University. Kris Snibbe/Harvard Staff Photographer, Consulting curator Maurice Berger (left), Radcliffe dean Tomiko Brown-Nagin, Alicia Keys, Kasseem Dean, Henry Louis Gates Jr., and Peter W. Kunhardt Jr. present the Gordon Parks collection. In March 2017, Sarah Lewis was invited to launch a pilot civic curriculum through the three-part Vision & Justice class at the Brooklyn Public Library. For two days in April, “Vision & Justice: A Convening” was a campus hit, drawing crowds to the Knafel Center and Sanders Theatre. Together we will consider the role of art and aesthetics for the invention of race, the creation of and destabilization of U.S. segregation, narratives supporting and critiquing Native American “removal,” Japanese Internment, immigration, New Negro Movement, and the long Civil Rights movement. Photo by Jeffrey Blackwell/Memorial Church Communications, Funding Opportunities: Seminars & Workshops, Gordon Parks: Selections from the Dean Collection, Musical Opening by Wynton Marsalis | Vision & Justice, Discovering the Flint Crisis | Vision & Justice, Race, Childhood, and Inequality in the Political Realm | Vision & Justice, Hank Willis Thomas Interview | Vision & Justice, Turnaround Arts [White House Program] | Vision & Justice, Joy Buolamwini, “AI, Ain’t I a Woman?” | Vision & Justice, Race, Technology, and Algorithmic Bias | Vision & Justice, Mass Incarceration and Visual Narratives | Vision & Justice, Race, Culture, and Civic Space | Vision & Justice, Citizenship and Racial Narratives | Vision & Justice, Originality and Invention | Vision & Justice, Disability and Citizenship: Global and Local Perspectives, Who Belongs? Lectures will incorporate material from these holdings and sections will meet at these locations to facilitate object-based study. The program will emphasize short presentations, with the goal of outlining and catalyzing ideas for future … The program will emphasize short presentations with the goal of outlining and catalyzing ideas for future work in art and justice around the country and the world. Mona Hanna-Attisha, who discovered the Flint, Michigan, water crisis, will exchange ideas with Chelsea Clinton, and LaToya Ruby Frazier, who used her camera to highlight the injustice on the ground, will show one of her videos. Photo by Kevin Grady/Radcliffe Institute. Dean Tomiko Brown-Nagin emphasizes Radcliffe’s role as a place for members of the Harvard community to convene and collaborate with one another. A public reception takes place on April 26, and the exhibition runs through July 19, 2019. OPENING PROGRAM: Knafel Center, Radcliffe Institute, 1:00 – Welcome Remarks: Dean Tomiko Brown-Nagin. Home / About Us / Fellowship Program / Academic Ventures / Schlesinger Library / Events, Video and Audio / News / Alumnae / Contact / Get Involved / Give / Employment / Sitemap, Radcliffe Institute for Advanced Study Harvard University 10 Garden Street Cambridge, MA 02138 info@radcliffe.harvard.edu Contact Us, © 2020 President and Fellows of Harvard College. Photo by Jennifer L. Roberts, Now that striking creative tension is on view at Radcliffe in, Clarissa Turner (left), Janet Connors, and Julie Mallozzi spoke at the Radcliffe Institute for Advanced Study in April, following a screening of the documentary "Circle Up." But images have always played an important part in civic life. Harvard University’s Radcliffe Institute for Advanced Study will host Vision & Justice, a landmark two-day creative convening that will explore the role of the arts in the construction of citizenship, race, and justice.. Schedule List of Participants Radcliffe conference explores the nexus of race and justice through art. Art is often considered a respite from life or a reflection of the times, but this class examines how art actually has created the times in which we live. Dean Tomiko Brown-NaginPresident Lawrence S. Bacow Sarah Lewis, Sadie Rain Hope-Gund and Catherine Gund tribute to Agnes Gund, Hank Willis Thomas tribute to Deborah Willis. "Vision and Justice" is a two-day creative convening (April 25–26, 2019) that will consider the role of the arts in understanding the nexus of art, race, and justice. HARVARD COLLEGE Program in General Education Richard A. and Susan F. Smith Campus Center 1350 Massachusetts Avenue, 4th Floor Cambridge, MA 02138 Phone: 617-495-2563 Fax: 617-496-4448 Email: gened@fas.harvard.edu The Boston Globe talks representation and image with Sarah Lewis ahead of "Vision & Justice.". "Vision & Justice" took on the archive, gentrification, the prison-industrial complex, police states, Flint, racialized AI disparity, and the necessitities of black art and cultural production. Chair’s Vision for the Department of Global Health and Social Medicine. Du Bois Professor of the Social Sciences, Harvard University, Vincent Brown, Charles Warren Professor of History and professor of African and African American studies, Harvard University, Tomiko Brown-Nagin, dean of the Radcliffe Institute for Advanced Study, Daniel P.S. Photo by Melissa Blackall/Courtesy of the Cooper Gallery of African & African American Art. The complimentary Aperture publication was created as a companion to “Vision & Justice: A Creative Convening on Arts, Race, and Justice” at Harvard April 25 and 26. "Vision and Justice" is a two-day creative convening (April 25–26, 2019, with events at the Harvard Art Museums and Sanders Theatre in addition to the day-long event at the Radcliffe Institute) that will consider the role of the arts in understanding the nexus of art, race, and justice, with a particular focus on the African-American experience. Kasseem Dean (Swizz Beatz) feels strongly about sharing his Gordon Parks collection—and about giving underrepresented artists a chance. What is the role of the arts for justice? Description of a Slave Ship, 1788. Frederick Douglass, 1847. Today She Teaches at Harvard. Gordon Parks, 'Eldridge Cleaver and His Wife, Kathleen, Algiers, Algeria, 1970.' Her Grandfather Was Expelled from School for Asking Why His Textbooks Had No Black People. This “Vision & Justice” convening will focus on both the historic roots and contemporary realities of visual literacy for justice in American—and particularly African American—civic life. Samuel J. Miller. This public event, conceived by Sarah Lewis, an assistant professor of history of art and architecture and of African and African American studies at Harvard University, grows out of the award-winning "Vision & Justice" issue of the photography journal Aperture (May 2016), which she guest edited. The resulting images of a group of people of African descent are now known as the Zealy daguerreotypes and have become critical artifacts in the study of enslavement and racism in American history.
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